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Thursday, July 10, 2014

Ch X: "Us"

Philip and I met in September, 1986 which was the height of the AIDS crisis.  We were introduced by a mutual friend who thought we'd be a perfect couple.  Where she got that idea, I'll never know!  Because we were as different as daylight and dark.  Our first "date", dinner and a movie, was an exercise in awkward...until the end.  There was something about the few moments after we parted that made me feel I'd met someone substantial, someone who would be a part of my life for the rest of my life.  I went to bed that night alone, unconvinced.  When I work the next morning, I was committed, enthralled.

It took Philip a bit longer but over the next several months, he saw the light.  We spent more and more time together, becoming acquainted.  This was a difficult as it may seem at first glance, though he lived in Houston and I lived in Honolulu.  We both worked as Flight Attendants for Continental Airlines.  In the spring of 1987, he transferred from Houston to Honolulu.  Our airline employer had flight bases in both cities, so the transfer was an organic transition for him and gave our growing relationship the opportunity to fly or fail.  Within months, we moved into a small rental together and our lives, living together as a unit, began.  In retrospect, wherever we were together has been "home" but the homes we've shared have each had a special character and played a special role.  There have been many homes but I guess the first is always special.  It was a tiny, 2 bedroom, 1 bath "o'hana" house (a cottage in someone's backyard) in the upper Manoa Valley of the Island of O'ahu:  paradise, both figuratively and literally.

In the tradewind-cooled tropics, windows and doors are often left open to welcome the breeze.  When I think of Manoa, I think of lying in bed, talking, planning, dreaming of our future together, while being caressed by the sweet-smelling breeze.  Mountain ginger, plumeria, and turberose are the scents I smell today, almost 30 years later.  I hear the cooing of the doves and the rustle of the leaves.  Our first days together were unhurried, unstructured, unimaginably, blissfully simple.  And so were we.  Everything we needed, beginning and ending with each other, we had.  In some way, those first days and nights layed the groundwork for the simple nature of our life as a couple.  Our commitment, though unsanctified in the classic sense, was strong from the beginning.  Time and circumstance combined into a fiery forge which has strengthened and solidified that commitment.

The first home that we purchased together was a "leasehold" condominium at Turtle Bay, on the North Shore of O'ahu.  Leasehold property was common at the time.  While one purchased ownership of the improvements (in this case, the condo) to the property, the property itself was leased for a designated term from a third party which, in our case, was the Campbell Estate.  Campbell, Bishop, Kaiser were familiar names as those estates owned most of the real property in the state of Hawaii, a legacy of the missionary days of the 19th century.  "Fee-simple" property signified ownership of both the improvements and the real property and was comparatively rare at the time.  Fee-simple homes were certainly much more expensive than leasehold and, as a consequence, were out of our reach.  

We began a pseudo-career of home improvement with that condominium, a career that persists through today, almost 30 years later.  When our Honolulu based closed in the fall of 1993, we left Hawaii, the place where our home ownership legacy began and moved back to Texas, to Houston, to start the next phase of our life together.

While surviving the typical ups and downs of the first decade or so of any close relationship, Philip and I bought, improved and sold several principle residences in the Houston area.  Our careers progressed.  The seniority we were accumulating as Flight Attendants meant that we could earn more, working less.  We found ourselves with the luxury of time and skill, so we considered the concept of a second or vacation home.  We've bought, improved and sold second homes in Maine and Florida.  Knock on wood, all of our real estate transactions have been profitable, some modestly, others fabulously.  We have been so very lucky in so many ways!

All along our journey together, we've enjoyed the comfort of pets, primarily cats, since they tolerate our strange work schedules better than dogs ever could.  Philip has always impressed me as the consummate "nurturer".  I had a sense of it from our first meeting but his nurturing sensibilities were confirmed with our pets.  It came as no surprise the day he mentioned that he'd been thinking about the possibilities of us being parents; adopting a child in need.  We discussed the idea, purely conceptually.  There were just too many obstacles in the way,  I had no particular feelings on the issue one way or the other which, to my mind, did NOT make me the best potential parent material.  In spite of the fact that, empirically, we agreed parenthood was not in our future, I sensed that Philip had a longing, a need to live the parent role.

Toward the end of the 1990s, one of Philip's older brothers who lived in Atlanta, Lars, was diagnosed with Stage 4 lung cancer.  Philip, along with several other of his siblings, visited Lars and his wife often at their home to help them with the numerous tasks which serve to compound the complexity of the waining days fo the terminally ill.  It was a chance for Philip to nurture but it was also a chance to rekindle a brotherhood which had grown distant, to repay overdue personal debts of kindness, and it was, quite simply, an expression of love.  In the process, Philip learned of the small, single-parent family of Lar's older daughter, one of two who had become the damaged detritus of a failed marriage and a mentally unstable mother who had abandoned her children and husband.  Lars' daughter were bringin her two young children, an 8 year-old girl and 7 year-old boy to visit before it was too late.  These children had no connection with and very little concept of their mother's extended family, living mostly in Pensacola, including Lars and Philip's aging mother, their great-grandmother.  Our future became entwined (or entangled, I have yet to decide).  We were soon together on holidays and school breaks, primarily in Houston.

The boy grew closer to us.  The girl, older in more than just age, needed something different than what we could provide and grew more distant.  Where he was eager, she became reticent to spend more time with us and her visits soon ended.  When we became aware of her growing distance, we encouraged another of Philip's brothers and his wife in Pensacola to have her spend time with them.  It was to no avail.  Her ties to "the family" were supplanted by other, more immediate needs that she felt. Soon, only Philip's great-nephew, now nearly a teenager, was visiting.  He came to stay more often and stayed for longer periods.  It was clear that life "at home" was far from optimal.  Not only was it not fulfilling his basic needs, we had reason to believe that there were times when he was in very real physical danger.

Soon, our little duo of a family would become a trio:  the Three Musketeers, Three (very) Blind Mice!

Tuesday, July 8, 2014

Ch 1: Smitten

I fell in love with a relic of the early 20th century from the moment I saw its picture on realtor.com.  Philip, my partner-in-all-things, did not share my enthusiasm.

The romantic cuteness of a 1908 "shotgun house" has its roots in simplicity, practicality and affordability, all of which were pre-requisites in our search for a part-time abode in Philip's hometown of Pensacola, Florida.  The name "shotgun house" likely arises from a common attribute of the architectural style.  Excerpted from historicpensaecola.org:

"Shotgun House- Long, narrow vernacular style of residence, commonly one room wide and several rooms deep.  The term “shotgun” refers to the layout where one could stand at the front door, fire a shotgun, and the blast would exit the back door without hitting anything in the house.  Alternately, the name could be a corruption of the African word to-gun, which describes a similar type of house."  

Due to their simplicity, practicality and affordability, shotgun homes are not normally found in more "desirable" neighborhoods. Philip's lack of enthusiasm for what was to become the vehicle on our journey of character-building was based largely on its location.  Philip suffered from the myopia of remembered neighborhood characteristics from his youth which, at the time, was over 30 years earlier.  Transitional neighborhoods are one thing; "don't be caught there after dark" neighborhoods are something entirely different!  The corner of Wright and Davis in the extreme hinterlands of the "Old East Hill" historic district was most definitely "the other side of the tracks" in the 1950s.

In the Pensacola of his youth, Philip was astonished by two "very smart" black girls from this very neighborhood who entered his grammar school at the dawn of the integration era; astonished because they helped to free him of the prejudices of ignorance.  Prior to the sweeping social changes ushered in by desegregation, it is unlikely that the three would have ever even met.  Though the entirety of their relationship was confined to just a few pre-teen years together, Philip, now in his 60s, can repeat their names and recall the impact they made on hiim.  Yet, his innate prejudice of the nieghborhood which produced them remained.  To put it plainly (and it pains me to do so), "proper white folks just didn't live there."  Like the impervious and oh-so-common kudzu vine, the tendrils of segregation and prejudice in the South remained and remain pervasive.

To my mind, shotguns were the like "mobile home" of the 19th and early 20th centuries in the South.  Requiring very little space, they were easy and inexpensive to build, often in very high densities (especially in larger coastal cities).  They were crafted of available, durable, inexpensive materials:  southern white and/or yellow pine, "found" stones for foundations and cheap tin for the roof.  Interestingly, while the metal roofs and stone foundations were prone to failure with the ravages of time, the native pine had a tendency to "petrify" over time, rendering it impervious to assault from termites and other destructive forces.  I once attempted to drive a common nail into a supporting member of what beame OUR shotgun, only to be thwarted by the stonelike wood.  Fire seems to have been its sole mortal enemy and took its toll, sadly originating from both natural and man-made, sometimes hate-fueled, sources.

Anyone with the means to "do better" than a shotgun, certainly took pains to do so.  While it was the very essence of the American Dream of home ownership, the shotgun spoke plainly of the limited means of its inhabitants.  Exceptions to the plain single-gable-over-shed-roof-porch are plentiful, some quite artistic.  But the very form and materials used to fabricate it can be summarized in a word:  humble. 

"Humble" is a word that generations of Americans from the very beginnings of our nation have embraced, even venerated.  Around the world, humility became known as the oxymoronic quality of our people, juxtaposed against the greatness of our nation.  
But humility seems to have somehow fallen from grace.  It has become the grist in the mill of more recent generations of Americans' "need" for bigger, grander, richer, better.  So, the accomplishment of home ownership represented by this modest home paled in the light of its relative humility.  The need for some to "rank" on others put the shotgun and its inhabitants "in their place".  

Even to one of the most accepting, loving, fair-minded humans I know, my partner Philip, the shotgun at 317 N. Davis was going to be one HELL of a hard-sell.

But the very obvious shortcomings of the shotgun house can also be the foundation of its allure:  simplicity, humility, affordability, security, practicality, accomplishment, community, pride.  Moreover, these homes epitomize a value which has become alien in the culture of our country:  personal responsibility.  "Living within one's means", akin to humility, is another typically American value that has become quaint, unnecessary, outdated, borderline eccentric.  In 21st century America, it is not only possible to acquire things which one can never hope to pay for, it is almost de rigueur to do so.

I was smitten by cute, sold on practicality, and destined to learn one of life's valuable lessons thanks to the realities of a free-market economy.  The shotgun house was for us, not just a home-away-from-home, it became the crucible of our morality and ethics; OUR morality and ethics.  Philip and I have always seen ourselves as two complete entities, one unique from the other.  But over the years, our partnership has grown almost into an entity of its own.  OUR mettle was to be tested, as was his, as was mine.  The funny thing about crucibles is that they test mettle to the point of failure or to the point where the product is superior to the simple combination of its components.


Ch X: Joaquin's Yard Sale

Ch X: East Hill Window Lights

Ch X: Post-Rental Wake-Up Call

Ch X: The Rental

Ch X: The Family

Ch X: Halloween Gusher

Ch X: "Can I Help You with Anything?"

Ch X: The First Day and Night

Ch X: From Government to Davis - a history

Our shotgun house did not begin its life at 317 N Davis St, that's just where we met and fell in love with it.  Conventional wisdom has it that it was constructed on and occupied a spot on Government Street in Downtown Pensacola in an area known as historic Seville Quarter.  Seville Quarter is widely considered to be the 350+ year old birthplace of Pensacola and the seed from which the city grew.  Of course, our shotgun does not date back to the origins of the city.  We're told that it was built in or around 1908.  Nearly a century later, in the early 2000s, it was removed from Government Street to make way for development there.  Our understanding is that the lady who moved it to its location on Davis St did so solely for the cost of the move.  Its companion at 311 N Davis (just next door) was moved along with it.  It's always felt romantically appropriate that the two neighbors were not separated at the dawn of their second century of life.  

On a practical level, the move to N Davis Street may act as insurance for our shotgun's ongoing longevity.  Government Street is perilously close to Pensacola Bay and has little natural (or unnatural) protection from the notorious tropical storms which rumble north from the Gulf of Mexico.  While the corner of Davis and Wright is only a few blocks further to the north, its new home there affords the shotgun and its longtime neighbor the additional protection of a windbreak in the form of the multi-story, steel and concrete Grand Hotel and somewhat higher ground.  With the two most destructive components of hurricane activity somewhat mitigated, wind and water, it's reasonable to expect at least a second century of life.

In typical fashion, the house was built of locally available materials and using traditionally economical methods and practices.  White and/or yellow "heart pine", cypress were cobbled together for the framing, local stone for the foundation and inexpensive corrugated tin for the roof.  I'm actually quite curious about what windows, if any, were original to the house.  

Glass could be something of a luxury at the time of original construction and some shotguns employed latching shutters in place of the more expensive vitreous option.  As it sits today, our shotgun still has 3 of it's original "wavy glass" 6-over-6 double hung windows.  Likely a result of repeated paintings, none of the 3 is operable.  One pane in the front-facing window has a fine crack running vertically that is only slightly noticeable.  Given the trivial nature of the imperfection (imperfection seems such a haughty word.  Nothing about these homes would qualify as "perfect"), and the practical impossibility of replacing with anything even remotely similar, we've left it as we found it.  (Who knows?  That window pane may have been in the same condition for the better part of a century.)  The remaining 3 window sets in the kitchen and each of the two bedrooms were in very much worse repair than the 3 most visible from the street.  We replaced them with modern, efficient units for two reasons:  the originals were failing and irrecoverable.  Replacing these three, along with adding storm doors on the front and side entries, allowed us to employ cross ventilation and mild, fine weather.  The final consideration about our windows was the influence of the Old East Hill Association, which regulates the appearance of historically significant sttructures within its purview.  Efficient or not, OEHA seldom approves modern replacements for historically correct windows and doors.  And the OEHA's ability to enforce is legendary in Pensacola.

As for the two entry doors, neither is original to the structure.  Both are vintage salvagea and at least one of the two appears to be from the European continent.  Its visible mortise-and-tenon joinery, atypically high lockset and narrow, high-set, Art Deco stained glass are reminiscent of Edwardian England.  A modern replacement knob and deadbolt lockset inhibit using this key piece of evidence to accurately date and place the door.  The 12-light front door also likely has Continental roots, as evidenced by a narrow, high-set lockset and bar handle.  In total, the windows and doors combine to give our shotgun a rather eclectic, farm from average look.

When it was moved, our shotgun received a new roof:  traditional metal but the wildly popular "standing seam" variety rather than the traditional and often shabby-looking corrugated tin.  The new roof treatment suggests tradition but with a refreshed, competent air.  Facing the structure from the street, only the 14' width, semi-defined by the span of the front porch, represents the original building.  At some point in its history, a 99' foot "ell' was added on the right, set back about 12 freet from the front and rationally integrated into the "look" of the home by an extension of the natural roofline on this side.  The ell encompasses a second bedroom, an indoor convenience of shower, toilet and lavatory, and a second covered porch and stair on the home's side.  This addition also served to forever eradicate one of the defining characteristic of the shotgun form:  the door on the rear of the home, opposite the front door, was sealed to form a solid back wall.


Ch X: The Fall - How I learned to LOATHE BP

Ch X: Collard Green Stalks